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SUR MASTER PRIME SET
• Lente Master Prime 16mm T1.3
• Lente Master Prime 25mm T1.3
• Lente Master Prime 35mm T1.3
• Lente Master Prime 50mm T1.3
• Lente Master Prime 75mm T1.3
One Set Of Lenses for all Situations
Whenever and wherever you want to
shoot, the Master Primes open up new creative opportunities
since they maintain their optical performance across the whole
extended T-stop range from T1.3 to T22. Whether you shoot
a day/exterior commercial with vibrant colors and high contrast,
or a night/interior romantic candlelight dinner for a feature,
the Master Primes are a truly universal set of lenses, usable
in all lighting conditions.
With a widest stop of T1.3 you can shoot
in low or available light, reduce your lighting budget, get
more natural looking shots and enjoy the cinematic look of
an extremely shallow depth of field.
Breathtaking
Performance even up close
Additional features that were previously considered contradictory
are good close focus performance and reduced breathing (an
unwanted shift in image size when focus is changed). In the
past,the close focus performance of a lens could be improved
by utilizing a floating element. However, this made it more
difficult to control breathing, so lens designers always had
to compromise.
By using Dual Floating Elements™ (patent pending), Zeiss
virtually eliminated breathing in the Master Primes while
at the same time keeping the excellent close focus performance
already established with the Ultra Primes
Consistent
Performance
Most prime lenses get visibly darker in the corners, where
they also lose resolution. The Master Primes exhibit an extremely
even illumination across the whole Super 35 frame and retain
high
resolution all the way from the center to the edges. Even
more exciting, they can deliver this optical performance wide
open and at their close focus setting.
SpeciaL
Optical effects
The Master Primes technology greatly reduces chromatic aberration.
This not only improves the overall image quality, but also
leads to better chroma keys. Since the Master Primes have
almost no visible geometric distortion, their footage can
be matched easier with computer generated imagery than the
footage of conventional prime lenses.
LINKS :::
http://www.arri.com/entry/products.htm
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