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F23 Camera (4:4:4)   F900
 
     

The newest addition to the Sony Cinealta acquisition system is the F23. An HD progressive camera with a genuine film camera style that can capture images in 4:4:4 resolution at 14 Bits with variable frame rates.This allows for quick- or slow-motion functionality, also known as 'undercranking' or 'overcranking' to produce special motion effects wich can be viewed instantly. The adjustments for this function can vary between 1 frame per second (FPS) and 60 FPS.The F23 also brings new creative tools such as the gamma S-LOG
And the ability to costumize the gamma curve. Its high resolution At 1920 x 1080 and its 4:4:4 capture are ideal for post efects, colorization and chroma keying.

   The legendary Sony F900, the first model of the Cinealta adquisition system and the camera in which films such as Star Wars and Collateral were shot offers and amazing 4:2:2 resolution and the option to record in progresive or interlace mode in various rates. Its versatility and reduced size turned this camera into the HD Standard for TV commercials, documentaries and the production of TV series.
     
     
Betacam   Sony Z1U
 
     
If your production requieres the use of Standard Video SD, our production packages based on our Sony DXC-D30 and Hitachi Z-2000 cameras are your best option.

  
     
     
MASTER PRIME LENSES   OPTIMO ZOOM 24-290
 
     
Rapid progress in lens design and manufacturing technology has finally realized a cinematographer‘ s dream: lenses that are both fase (T 1.3) and have an optical performance surpassing that of all current standard speed primes such as the legendary Ultra Primes. The Master Primes, developed in close collaboration between ARRI and Zeiss, are a revolutionary and unique new generation of high speed prime lenses with more speed, more resolution, more contrast and virtually no breathing.

   Angenieux, the indisputed leader in the field of Cinema Zoom lenses introduces the Optimo 24-290, a zoom with color filters to match Zeiss Master Prime lenses.
The Optimo zoom, now the Standard of the industry gives Cinematographers an extremely fast aperture speed of T2.8, Impressive contrast and color reproduction, superior levels of optical performance accross the entire range and no ramping, nor breathing.
     
     
ADAPTERS PRO 35    
   
     
Thanks to the use of Pro 35 adapters you can now use 35mm film lenses on HD and digital 2/3” cameras to gain more freedom for your image composition. Depth of field, focus and angle of view are virtually the same as with a 35mm motion picture camera thanks to the use of the adapter and all the lens choices available in the market.
Among our adapters we have the PRO 35 MKII which Works better at higher frame rates due to the Fact that that the ground glass oscillates with a higher speed range than before to avoid interferences with the shutter speed.